“Maybe cause I come from such an empty-hearted town / Or maybe cause some love of mine had really let me down,” he says on “If I Wanted Someone.” “But the only time I am lonely is when others are around / I just never end up knowing what to say.” Musically, on the other hand, there’s no worry that Dawes has lost its way. “These days my friends don’t seem to know me / Without my suitcase in my hand,” Taylor Goldsmith sings in the opening track, “Time Spent in Los Angeles.” But despite the uncertainty and bouts of solitude that often come with life on the road, Goldsmith seems to find freedom in his travels.
History of ode banjos free#
Forced to write in the free time they were afforded, the songs on Nothing Is Wrong are marked by the qualities of a band in motion. Two years after releasing their debut, North Hills, the men of Dawes hit the road for a long tour. Listen to our Best Folk Albums of the 2010s playlist on Spotify right here. Read on for our 40 favorite folk albums of the 2010s. And these albums in particular are the ones we’ve loved and shared over the past 10 years here at Paste. Genre has become increasingly obsolete, but this is all folk music, at least by this decade’s loose standards. Crossover is inevitable, and a few of these albums even appear on our best country and indie rock album decade lists. The Tallest Man on Earth rarely steps beyond a guitar Julie Byrne isn’t one to decorate her albums save for the spare layer of ambient noise.
Meanwhile, some of Justin Vernon’s and Robin Pecknold’s contemporaries are still capitalizing on the minimalist methods popularized by Dylan, Baez, Mitchell and the whole lot of string-slinging troubadours who found themselves in the midst of the mid-20th century’s American folk revival. Fleet Foxes arguably incorporate more textures than your everyday pop or rock act, and Bon Iver has been punching up folk sounds for a new generation of music fans since the first notes of “Flume” lit up our ears in 2008. Modern technology has afforded acoustic-minded artists the ability to embellish their lyrics with production flourishes and pop gizmos, but just because a song features drum loops or synth doesn’t mean it can’t count as a folk piece. The funny thing about folk music in the 2010s is that none of it really sounded alike.
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